Painting is an outlet for me. It’s a way to deal with things I don’t always know how to explain or even fully understand. When I start a piece, I don’t have a clear plan — I just begin working and respond to what happens on the surface.

The process is layered and instinctive. I add, erase, cover, and rebuild until something starts to feel right. The symbols, figures, and shapes that appear aren’t meant to represent specific ideas. They come out of the process itself — fragments of thoughts, memories, or emotions that don’t have words.

I’m drawn to mechanical forms, tools, architectural structures, and visual influences from anime and science fiction. These elements surface naturally during the process, blending with more organic marks to create environments that feel constructed but unstable at the same time.

I’m not trying to tell a single story. Each painting reflects a moment, a state of mind, or a need to get something out rather than keep it inside.

For me, making the work is less about control and more about release — trusting that something meaningful can emerge even if I don’t fully understand it.